Showing posts with label vicki roark. Show all posts
Showing posts with label vicki roark. Show all posts

Friday, November 20, 2015

Thanksgiving

Had to visit the doctor yesterday.  It seems my old childhood nemesis tonsillitis hunted me down for a long-overdue visit.  After four days of a raging sore throat and a case of laryngitis that left me sounding like a delicious cross between Kathleen Turner and Harvey Fierstein, I couldn’t take it anymore.  Two shots and a script for an antibiotic.  I’ll gladly take it so I can get back into the office (worked from home twice this week) and take care of the mounds of work waiting for me.  Also want to be in traveling form for next week’s Thanksgiving trip.  New Thanksgiving adventures await in Topeka.

A young man whom I had struck up a conversation with while waiting outside the doctor’s office was heading to London later in the day. After thirty-odd years of not having contact with his mother, he had reached out to her for the first time last year.  Taking the time between then and now to get to know her (communicating much via cell phone and social media, traveling alone to visit her last year), he was ready to take his wife and children to meet her.  Their plans included Disneyland Paris.  And a Thanksgiving meal.  A traditional Thanksgiving in a city that doesn’t celebrate Thanksgiving.  But one doesn’t have to have tradition to have a Thanksgiving.  And starting new traditions are sweet (and sometimes come with a hint of bittersweet).

When I woke this morning a 2:30AM with a coughing fit that lasted at least a half hour and couldn’t EVER go back to sleep, I prayed for him and his family on their Thanksgiving adventure.  And I thought of all the versions of Thanksgiving I had experienced.

Of course, my mind turned first to my earliest Thanksgivings as a child spent in Kentucky with my Gran and Grandpa.  We’d travel the six hours or so in Dad’s big red pickup truck.  Vicki and I would be safely tucked into makeshift sleeping quarters in the camper-shelled truck bed, food and water to keep us from dying, window cracked a hair (also to keep us from dying), an intercom system rigged from the main cabin to the back bed for communication between the pilots and their passengers.  Sometimes Mom and Dad would let me ride up front when I got ansty and I’d listen to Dad use the CB radio to talk to other truckers on the road.  Among other things, he’d find out where police (Smokey, 5-0, fuzz) were hidden, if there was a traffic jam ahead, or where the nearest rest stop was located (sis and I were all the time needing bathroom breaks as much for a chance to see what candy and tacky souvenirs we could buy with our allowance as for relieving ourselves).

As we got closer to Waynesburg, dad would begin sending out CB calls to my gran, who ran a base station for long-range CB communication that we called Home Base.  I can remember the suspense of his first call out into the darkness of the CB world, “Breaker, Breaker 1-9, this here’s Super Duck…”  Usually, it took several tries over several accumulated minutes (which seemed like hours to me) to finally hear my gran’s voice, faint and then stronger as the miles between us diminished, guiding us in to Home Base.  This is when I acquired my CB handle “The Red Barron” (I was a huge Snoopy fan AND a blossoming WWI history scholar) and was allowed to make calls myself.  By the time we pulled into the long dirt drive in front of gran’s trailer with what looked like every light in the place blazing like a lighthouse, I was bouncing between the seat and the dash from my uncontained excitement.  It didn’t matter that it was often 2 or 3 in the morning when we arrived (M&D thought leaving at night would keep us asleep for most of the trip…it sometimes worked), we’d be wide awake as we piled out of the truck and down the sidewalk-receiving-line that awaited us.  Gran, and whoever else was spending the night (cousins, aunts, uncles, the friends who were like family), would come out to hug us, grab our things from the car and usher us into the toasty confines of the mudroom and spacious living room that Grandpa had built onto the trailer.  There, we’d catch up while we warmed up, the adults drinking coffee or a beer, Vicki and I tucking into the corner of some sofa or recliner with an adult who would show us attention.  Then, when we were almost asleep on our feet, we’d be ushered into a back bedroom that could hold all four of us, or split off into two separate rooms that would become our homes for the holidays.

Because my Gran entertained anyone who walked up to her door on Thanksgiving Day (and really, any day), the house was FULL of food.  A turkey or two, a ham, a couple of pans of cornbread dressing, giblet gravy, green beans with ham bone, creamed corn, baked beans with bacon, pinto bean with ham, black eyed peas, boiled cabbage, cole slaw, potato salad, sliced tomatoes, sliced onions, canned cranberry sauce, pans of cornbread, dinner rolls, cakes, pies, puddings, cookies, more.  If her meal didn’t put you into a comatose state, then she hadn’t done you right.

We’d spend days just eating and communing, listening into the party-line conversations on the telephone, layering up to walk the fields, and hoping for a snow storm to prevent us from returning home and to school.  Many an evening before our morning departure we could be seen dancing the Native American snow dance that dad taught us, hoping, praying for snow.  And because that ridiculous dance brought snow on a few of our Kentucky Thanksgivings and stranded us for an extra day or two, it became a traditional “last dance.”  I can’t remember the steps, but I sure can remember the way Vicki, Dad, Mom, Gran and anyone else we could snare in our gravitational pull looked as we chanted and twirled and fell like snow flakes around each other.  I’d pay an eyetooth to go back for just one minute…

Years later, Gran and Grandpa divorced, and Gran eventually sold the farm to one of the friends who was like family, and she cast her net wider as a nomadic caregiver, a senior who took care of seniors. She lived with and cared for an author who homesteaded on Spruce Island, Alaska, in addition to numerous individuals in California and other people who lived in what seemed like exciting locations. And because of this, my mom and dad started a new tradition for themselves, and began hosting Thanksgivings in their home.  It was always much smaller, but more intimate at Mom and Dad's.  Mom would start cooking everything in the wee hours of the morning.  Later in the day, Dad would carve the turkey, Vicki would set the table, and I would fry the eggplant.  

But then Vicki married, so things changed with an addition.  And then I moved away to New York and had my very first Thanksgiving on my own (which is another story in itself), so there was a subtraction.  And throughout the years, my Mom and Dad have flexed gracefully to the ebbs and flows of the additions and subtractions.  Holidays are beautiful that way, flexible and changing.  When something is taken away, there always seems to be something added. 

Mom still starts cooking Thanksgiving lunch in the wee hours of the morning.  Later in the day, Dad will carve the turkey, but now he sometimes lets me.  Vicki is in charge of frying the eggplant because of the dangers it poses to my gluten free status.  And Eric and I do whatever else that needs doing.  Sometimes it is just playing with my nephew and/or tasting foods as they are being plated.  We all take quality control very seriously.  Especially Dad, who has to be watched constantly in the kitchen.  He is a master thief taste tester.

So, I was back to the office this morning.  My throat felt a hundred times better today, sounding more in the lines of a mezzo-soprano. Very becoming. I could've potentially pulled off an Ethel Merman impersonation.
“Clear the decks! Clear the tracks!
You've got nothing to do but relax.
Blow a kiss. Take a bow.
Honey, everything's coming up roses!”

To hear the lady herself:

And to brush up on your CB lingo, please visit these fine sites:
CB Slang



Friday, March 6, 2015

Subtleties In Dialect

On the few occasions that mom and dad ever went out for a date-night when we were little, they would use the same young woman to babysit my sister and me.  This young woman, Debbie, came from a good, working-class family like us and lived only two houses away.  Debbie may have only been eight or ten years older than us, but she seemed like such a grown up.  My momma sometimes looked after her momma, as her momma suffered from recurring seizures (and my momma, being a stay-at-home momma at the time, often looked after neighbors who were ailing), so we knew them well enough to come and go in their yard as we pleased and to knock on their door at any hour of the day to play with their chihuahuas and/or play on their organ (which, thinking back, may have been a famed Hammond Organ...I enjoyed just listening to the preset marimba percussion more than actually playing any songs). 

One day, sister and I decided to walk all the way to Pedo's quick shop to buy penny candy.  This was long before sister and I were allowed to walk to the store or to Old Harmony Cemetery alone, so momma must have asked Debbie to come accompany us, or perhaps we pestered her into coming.  Either way, Debbie was there with us on the day when we looked up to the sky across the road from our friend Norma Jean's house and noticed something blood red wrapped around the power lines.

"What's that?" I asked, squinting up.

"It's a cat," Debbie replied.

"A CAT?" I queried.

"Yes, a cat."

"How did it get there?" I squinted up at it harder, trying to make out its tail or ears.

"I guess it just got caught up there."  She shrugged at my wide eyes.

We walked away that day with me looking back over my shoulder every once in awhile to make sure the cat didn't move.

For several years after that I would roller skate, bike, or walk down the street just to look at that cat on the power lines and try figure out how a cat got caught up there in the first place.  Did the cat climb up the power pole and try to walk the lines like squirrels did and then get 'lectricuted?  Did someone throw the cat up there as a mean prank?  And why was Debbie so calm that day we discovered it?  If I was a grown up, I would've figured out a way to get that cat down and give back to its family.  If it had been my cat, I would've wanted its body returned so as to lay it to eternal rest on the family property.  That way we could sing to it and read poetry to it and just generally keep it from being lonely...

But time and growing up made me forget about that cat.  And it wasn't until about twenty-five years later as I reminisced about roller skating and biking and walking to Pedo's for penny candy as a child with my sister that I thought about that poor cat caught up in the power lines again.  I still couldn't for the life of me figure out how that cat got up there...and then a thought occurred to me.  Debbie was born and raised in Gadsden, AL, a place where mysterious things tend to happen to vowels in our mother language, a language that I was exposed to daily, but a language that was not spoken as fluently in our house of transplants from the north.  I realized then that the thing caught up in those power lines long ago was not a cat, but a kite.  A KITE.  Unlike the older me, subtleties of dialect were completely lost to my adolescent ear, an ear that would become well educated in dialect through many years of deep immersion in my chosen southern land, a land where glasses occasionally get "wrenched" instead of rinsed, and you may hike up a "mounting" instead of a mountain.


Wednesday, January 8, 2014

Extraction of Teeth

A young friend of ours recently lost several of his baby teeth.  And seeing his smiling gap-toothed mug set my mind to reminiscing about the natural process of losing teeth.

As a child, I was not terribly afraid to loose a tooth, but I was more than happy to hold on to them as long as I possibly could.  The ability to rock a tooth back and forth with one's tongue for any willing audience was worth almost as much in attention as the money I was sure to gain in my piggy bank from the tooth fairy once the tenuous thread of skin holding the tooth in my head gave way.  No need to rush the process, I usually let nature take its course.

But I also can recall a more grim image of what I consider less-natural tooth extraction, one that involved my grandmother, my sister, a door knob and a piece of string.   It was a hot summer day.  We were at my grandmother's old farm in Kentucky (the farm built by my grandfather, Chester Padgett).  Sister had a loose tooth.  Gran had some string, one end of which she tied to Vicki's tooth, the other end to the knob of an open door.  Then, she slammed the door shut.  What resulted from THAT tooth extraction was less like a Saturday-Morning-Cartoon-tooth-pulling (which, as a child, was what I was expecting), and more like a Ralph Eugene Meatyard tableaux (this would be a black and white photograph of two girls, one with mouth and eyes open in shock, hands on cheeks, looking in disbelief at her sister.  The other with eyes wide, hands clapped tightly over her mouth, too late to save the tooth exiting her head, more likely keeping in a scream.  Both stand in front of a door moments ago slammed shut.  A door with a string hanging from its knob.  Dark stain upon the floor.).

Tuesday, July 24, 2012

We’re Too Busy Singin’ to Put Anybody Down Part I

Allow me a moment to backtrack a bit and return to the month of May, 2012, a month during which I was working on and/or supporting several of our Gadsden Reads programs for Tim O’Brien’s The Things They Carried.  One of the programs scheduled for our series was on the music of the Vietnam Era, presented by friend/conductor of the Etowah Youth Orchestra/musician in local band Leftover Ego, Mike Gagliardo.  After I listened to Mike’s engaging presentation, I got in my car and headed back to the library, all the while listening to a compilation CD of The Monkees’ greatest hits.  I had obtained the disc a couple of weeks before to honor the recently-late Monkee Davy Jones, who had died back in February, and I had been listening to CD almost nonstop since it had arrived in the mail.  As I drove along, a realization crept over me, the realization that The Monkees as a band had been created during the Vietnam War, and consisted of four draft-age young men.

The Monkees were sort of America’s late 60s answer to The Beatles.  They literally existed as a commercial venture for a TV show.  They were a band whose members were initially not allowed to play the instruments that they pretended to play on screen; they were only allowed to act and sing songs that were written for them.  But they were musicians, all of them, accomplished musicians, and they wanted to play the music they were pretending to play.  So, they eventually fought for the right to write, play and supervisetheir own music, all with the studio producers’ backing.  And they would eventually tour with much success.

My sister and I were HUGE Monkees fans during the mid-1970s, which was after the show had already been cancelled (it ran from 1966-1968), but while it was still in rerun mode.  Mom allowed a thirty-minute episode of The Monkees, along with a Little Debbie Snack Cake and a glass of milk, to be part of our after-school treat.   Many an afternoon, Vicki and I would carefully pick our way past usually-good-natured-but-potentially-volatile-bus-ruffian Jeff Partee, shove ourselves through the sea of knees blocking the isle, and rush off of the school bus almost before it came to a full halt.  With ponchos flying and book bags spilling along the driveway, we’d dash into the house and plant ourselves in front of the TV, which mom already had turned to the proper channel so that we could catch the opening strains of the theme song, “Here we come, walking down the street.  We get funniest looks from everyone we meet…HEY, HEY, WE’RE THE MONKEES!  PEOPLE SAY WE MONKEE AROUND!  WE’RE TOO BUSY SINGIN’ TO PUT ANYBODY DOWN…”

In 1985, I visited London on a school trip.  I brought back with me a souvenir that I still cherish to this day (with its’ seven pounds, ninety-nine Virgin Records price tag still affixed to the front):  a prized double album of The Monkees Greatest Hits…vinyl.  Vinyl, I say!  Both records were on heavy rotation in my bedroom for months after I returned to the States, which only acted as a primer for the following year, 1986, when MTV began airing a marathon of back-to-back episodes of The Monkees old show in a series entitled Pleasant Valley Sunday.  Vicki and I once again found ourselves glued to the TV, and The Monkees found themselves caught up in a second wave of Monkeemania.  Yes, Mike’s knit cap, Davy’s British accent, Micky’s one-man-circus antics, and Peter’s sweet-but-stupid act were still appealing…

Sunday, May 13, 2012

Mother's Day 2012




















Happy Mother's Day to my beautiful, beautiful momma.  Thank you for destroying your rocking chair with a hacksaw to free my leg when I got it stuck that one time when I was little.  Thank you for beating all of those yellow jackets off of me and Vicki when we stumbled upon their nest while playing in the woods years ago. And thank you for never ever letting me use electric hedge trimmers.  I'm pretty sure that it is because of your vigilance that I today have my life and all of my appendages.






















And Happy Mother's Day to my dear Gran, God rest her soul.  If it wasn't for her, I don't think I would have the especially green thumb that I possess, nor would I have knowledge of the magical healing powers of Epsom Salts.  From mange to boils, an Epsom Salt bath will take care of it.

Tuesday, January 1, 2008

May I Play You a Song While I Clear That Plate Out of Your Way?

Was treated to New Year’s Eve in Birmingham and the Trans-Siberian Orchestra concert. Thanks Sis and Bro-in-Law (and M&D)! Being a TSO neophyte, I didn't know what to expect from the show (I enjoy their holiday music, but I don’t listen to them on a regular basis). I was happily surprised with the variety of musical genres they performed. Lots of classical compositions, with some modern variations and…tons of hair…more tresses than you could shake a blowdryer at (on the women AND the men). The band gave an exceptionally energetic performance for two and a half hours, treated us with a New Year's Eve countdown, confetti and a balloon drop, and then proceeded to perform for at least another hour. The last couple of numbers were performed with surprise guest guitarist, Tommy Shaw from Styx.

And did I mention the freakin’ hair on the band? It was as if all the women had stepped out of an 80’s Whitesnake video and the men had stepped out of…an 80’s Whitesnake video. Damn, but there were some serious flowing locks on those guys. I’d like to know the total dollar amount that the band spends on hair product per year. While singer Tommy Farese introduced the band, he joked that one of the male backup singers looked like Fabio (Oh Mr. Farese, you kidder!! You, who sport a coiffure so extraordinary, that in profile, you resemble Little Richard. I was so terrified that your hair was going to catch fire during the show’s pyrotechnics, at times I had to look away). And when Tommy Shaw came out on stage, his fifty-five year old head of hair was just as grand and mane-like as it did in the 80’s AND in the 90’s when we saw him perform in the same concert hall; still looked like a Wella Balsam commercial-shiny, and with such bounce! I momentarily wished that I had worn my hair curly and teased, but I think that would’ve resulted in us having to pay for the seat behind us due to the extra room my hair would’ve taken up. Still, just to have been mistaken for a Trans-Siberian Orchestra band member would’ve made it all worth it.

On our way home this AM, we stopped into a Cracker Barrel for breakfast. While lamenting the long wait for food that we could’ve gotten back home, and the fact that I had just lost a bet to my brother-in-law that Cracker Barrel wouldn’t have the vintage candy Squirrel Nut Zippers, I noticed that the busboy looked sort of familiar. Now, I use the term busboy loosely here as he was, without a doubt, over the age of fifty. As I stared at him, the voice of Rob Thomas singing Smooth began to fill my head and then those blessed guitar riffs of a master…it hit me! The busboy looked exactly like Carlos Santana! After having the surprise of a guest guitarist at the TSO concert last night, I thought it only fitting that the busboy of Cracker Barrel turn out to be Carlos Santana. And I proceeded to have a short daydream about Carlos Santana moonlighting as a busboy in an Alabama Cracker Barrel and how cool it would be when I told my friends about how he played his 1970 hit Oye Como Va for us on the guitar while we ate our hard-scrambled eggs and turkey sausage patties. I came back to earth when I realized with a start that I now had some Squirrel Nut Zippers in my possession. Since I’m not a big fan of eating candy, I’ll just admire them in their package.

Listening to: Squirrel Nut Zippers’ Hot (no kidding)
Reading: Been Down So Long, It Looks Like Up To Me by Richard FariƱa. & A Lesson Before Dying by Ernest Gaines.
Watching: Food Network’s biography on Rachael Ray.